impression artist
Russian, 1844?C1930 Related Paintings of Ilia Efimovich Repin :. | Pulls the lotus Luo river portrait | Stasov portrait | Shang Si Kim portraits | Hunters | Pakistan do not reach Nourse the Qiefu portrait | Related Artists:
Martin, JohnEnglish Romantic Painter, 1789-1854
Paul Falconer Poole(1806 - 1879) , an English painter born in Bristol
an English painter born in Bristol.was an English painter born in Bristol. Though self-taught his fine feeling for colour, poetic sympathy and dramatic power gained for him a high position among British artists. He exhibited his first work in the Royal Academy at the age of twenty-five, the subject being The Well, a scene in Naples. There was an interval of seven years before he next exhibited his Farewell, Farewell in 1837, which was followed by the Emigrant's Departure, Hermann and Dorothea and By the Waters of Babylon. In 1843 his position was made secure by his Solomon Eagle, and by his success in the Cartoon Exhibition, in which he received from the Fine Art Commissioners a prize of 300 sterling. After his exhibition of the Surrender of Syon House he was elected an associate of the Royal Academy in 1846, and was made an academician in 1861. Poole's subjects divide themselves into two orders, one idyllic, the other dramatic. Of the former his May Day (1852) is a typical example. Of both styles there were excellent examples to be seen in the small collection of his works shown at Burlington House in the Winter Exhibition of 1883-1884. Among his early dramatic pictures was Solomon Eagle exhorting the People to Repentance during the Plague of 1665, painted in 1843. To this class belongs also the Messenger announcing to Job the Irruption of the Sabeans and the Slaughter of the Servants (exhibited in 1850), and Robert, Duke of Normandy .and Arietta (1848). Finer examples of his more mature power in this direction are to be found in his Prodigal Son, painted in. 1869; the Escape of Glaucusand lone with the blind girl Nydia from Pompeii (1860); and Cunstaunce sent adrift by the Constable of Alia, King of Northumberland, painted in 1868. More peaceful than these are the Song of Troubadours (painted in 1854) and the Goths in Italy (1851), the latter an important historical work of great, power and beauty. Of a less lofty strain, but still more beautiful in its workmanship, is the Seventh Day of the Decameron, painted in 1857. In this picture Poole rises to his full height as a colourist. In his pastorals he is soft and tender, as in the Mountain Path (1853), the Water-cress Gatherers (1870), the Shepston Maiden (1872). But when he turns to the grander and more sublime views of nature his work is bold and vigorous.
Jacquemart de HesdinFrench Gothic Era Miniaturist, ca.1350-1410
Jacquemart's whole career developed at Bourges (the capital of the Province of Berry) at the court of John, Duke of Berry. He was active in the Duke's service from 1384 until 1414 and made a significant contribution to the Duke's famous illuminated books, in particular the Tr??s Belles Heures du Duc de Berry, the Grandes Heures, the Petites Heures, and a Psalter, often working with the Limbourg brothers and the painter known as the Boucicaut Master.
On 28 November 1384, Jacquemart was paid for the first time by the steward of John, Duke of Berry, to cover expenses he and his wife had incurred in Bourges, and he was also paid for his clothes for the coming winter. After 1384, he was paid a regular salary.
In 1398, while Jacquemart was working for Berry in the castle at Poitiers, he was accused with his assistant Godefroy and with his brother-in-law Jean Petit of the theft of colours and patterns from Jean de Hollande, another painter who worked for Berry. Jacquemart is recorded as staying in Bourges in 1399.
The Tr??s Belles Heures du Duc de Berry (also sometimes called the Brussels Hours, from the city where it has long been kept) is chiefly the work of Jacquemart. The book is described in an inventory of Berry's library dated 1402:
?? Unes tr??s belles heures richement enlumin??es et ystori??es de la main Jacquemart de Odin. ??
The Tr??s Belles Heures disappeared for several hundred years, but the scholarly consensus is that the manuscript in the Biblioth??que Royale at Brussels is the one described in the 1402 inventory.
The Petites Heures is believed to date from before 1388, apart from a miniature of the Duke of Berry himself added later by the Limbourg brothers. Millard Meiss suggests that at least five painters worked on the book's illuminations, Jacquemart and four unidentified artists. One of these four is commonly referred to as the Pseudo-Jacquemart.
Jacquemart's small painting The Carrying of the Cross (vellum mounted on canvas, 38 cm by 28 cm, dated before 1409) is in the Mus??e du Louvre.